The upcoming game appears to embrace a slightly new setting. Unlike the first game which had Sam outdoors at almost all times, Death Stranding 2 seems to embrace indoor environments much more. Fragile is seen sneaking down corridors and through vents, not unlike Snake in Metal Gear Solid . This is a direction that franchise seems to have been going in since the release of Death Stranding Director's Cut , which also features more indoor environme
The sci-fi genre has always found ways to imagine what our futures could look like. From foreseeing resource shortages to close encounters with extraterrestrial beings, there are many possibilities and stories revolving around our potential paths. However, in some cases, those probabilities come true. This has happened several times in video games which has left gamers and non-gamers alike surprised, fascinated, and distur
During the brief glimpses of the outdoors, there is no longer black sand and moss-covered terrain. Instead, the environment appears rockier and desert-like. With the game taking place after the first title, in a world that has seemingly connected more, it will be interesting to see how it introduces fresh traversal challenges. The new game isn't entirely void of large bodies of water, however. The trailer reveals a large device emerging from what appears to be a lake. The device may be a vehicle of some sort, as Fragile tells Sam that it's time to "start a new journey" as it ari
In the original, you have access to a variety of bikes and trucks (and a makeshift hoverboard, if you want to count that). The sequel promises to be even larger, and the vehicles should match. The sequel should let you drive those freighter trucks only seen in cutscenes and give you boats to cross bodies of water. Even short-range air transport could work for reaching those more difficult areas ahem the First Prep
You often stumble across the empty husks of cities, only ever interacting with fellow human beings in cutscenes or through disparate holograms spread across identical facilities dotted across the landscape. It all feeds into the narrative and worldbuilding, but simultaneously it points to a limited experience, or one that is yet to reach its full potential. This is where Death Stranding 2 updates Stranding 2 comes into view, and how a sequel building upon everything the original game managed to achieve would be monumental. Give Kojima Productions an equal level of freedom alongside a decent budget and watch the project blossom. That’s all we need.
The original Death Stranding follows the story of Sam Bridges, portrayed by Reedus, as he seeks to connect the disparate parts of a post-apocalyptic United States. He does so by delivering packages on foot, by vehicle, or through many other devices. While there is a bizarre story tying it all together, the majority of the gameplay is centered on this concept. The themes of bringing people together was largely supported by Death Stranding's multiplayer component which had players from all over the world working together to build structu
An odd choice of the original was that it was set during an eternal day for no real reason. It was wonderful, still, but unusual. Having the day actually progress offers up so many opportunities. The darkness of night might make it difficult to move about, and enemy patrols could be different. Maybe other players could even build lights to guide your p
Across PC, PS4, and PS5 it has sold north of five million copies, which is incredibly impressive for a new IP and proof that Kojima is more than capable of dealing out bangers away from the likes of Metal Gear Solid and Zone of the Enders. He remains one of the medium’s most fascinating creators, and that makes the idea of Death Stranding 2 all the more exciting. I dislike the trend of auteurs being placed on a pedestal above the hundreds of people it takes to make a modern blockbuster possible, but Kojima feels like one of the few exceptions to this rule. All of his weird, innovative ideas are present in his open world post-apocalyptic Amazon Prime simulator with little to no filter, whether we’re throwing our own piss at ghosts in the form of grenades or watching Norman Reedus in the shower before downing a six-pack of Monster. Anything is possible in Death Stranding because Kojima has created a studio that enables him, while working alongside a team that supports whatever he comes up with and delivers on it without question.
One of the most anticipated games of 2019 and a game that would go on to accumulate a large number of awards. Shortly after its initial release, Covid 19 lockdowns began occurring globally in early 2020, with people beginning to isolate and adapt to ‘new normals’ to try and minimize the effects of the pande
In a weird bit of worldbuilding, Kojima decided to include product placement in his Death Stranding universe. The world may be a post-apocalyptic wasteland, but at least Monster Energy drinks still exist. It's nonsensical and doesn't make sense even for those sold on the absurd premise that is the rest of the game. For a AAA game, the choice to include Monster Energy or have Sam mention Ride with Norman Reedus is an odd one and takes players out of the experience, especially when Kojima took the time to make an entire soundtrack of in-universe music that includes new tracks by known singers. Death Stranding 's Director's Cut removed Monster from the game, so it may be that Kojima saw this as w