For the first couple of years, Overwatch was unstoppable. Each new hero was a major event, hyped up with months of speculation as players tried to guess who was coming our way next by digging into the game’s files or drawing from small clues left behind by Jeff Kaplan and friends. Sombra, Doomfist, Orisa, Ashe, Ana, Moira, and Brigitte were all big deals, igniting imagination across the fandom with how their relationships intertwined with the existing roster and how their position in the narrative would come to play an important role.
You might think this is apples and oranges. You had to buy both Warcraft 2 and 3, just like you had to buy Smash Bros. Ultimate and Melee. Meanwhile, Overwatch 2 support Guide 2 is free. You’re basically getting a new game for the price of only one game! Except, again, that doesn’t mean I only want the new game and never want to see the old one again.
Of course, we had awesome women like Mei and Zarya amongst the cast, but there was D.Va, Tracer, and Widowmaker strutting their stuff alongside them. Overwatch was a real sticking point in our development as horny gamers, and a willingness to embrace sexuality in our games and view it as something to no longer be ashamed of. Overwatch was a stepping stone to this point, but a stone covered with the slippery moss of the mid ‘10s Whedonised feminism, where the best way to make a female character strong was to make her sexy too. Putting aside the smut, I was invested in some of the game’s queer ships for years, whether it be through tasteful fanart or brilliantly written fiction that understood these characters better than Blizzard ever will. Pharmercy till I die. You know Overwatch was something special because it made you care, and the relative indifference from Blizzard in the years since is almost upsetting.
Overwatch 2 might be the first sequel in history that players of the original begged the developers not to make. Through a small handful of gameplay changes and minor visual updates, it just barely manages to justify its own existence. It feels like it’s Blizzard’s attempt to restructure the monetization into a more profitable, industry-standard model, which people have rightly pointed out benefits the publisher, but doesn’t actually provide any value to the players. At first blush, Overwatch 2 comes across like a dark tulpa of the original - a product designed to increase profits and engagement without offering anything that meaningfully increases enjoyment. Within the broader context, Overwatch 2 follows this year’s Diablo: Immortal as just another anti-consumer title from a mega corp that used to actually care about its fans and reputation. There’s never been a particularly good answer to the question "Why does Overwatch 2 exist?", and I don’t anticipate there ever will
The whole premise of Overwatch 2 is to offer a campaign. It’s not going to reinvent multiplayer, which is already a successful esport and will likely stay the exact same aside from the kind of regular updates we get now. All I want is for Overwatch 2’s campaign to be a blown-up version of Archives, though, as opposed to something that is emphatically single-player or something that incentivizes over-competing. I want it to give you plenty of opportunities to pull off a sick Barrage, but I don’t want Valkyrie or Coalescence to become pointless vs bots with stupid AI. I want there to be actual reasons for choosing to play as Winston instead of Hanzo, or Lucio instead of Tracer. I want maps that allow for the kind of absurd synergy you see in Assault on Volskaya, as opposed to just arbitrary ult-spamming in the middle of a wave-based minig
In a landscape filled with gruff military dudes and futuristic warfare emerged a bright, colourful, diverse, and experimental game that pushed the genre forward and tried new things in fresh, exciting ways. Each match was fast and rewarding, while its sprawling cast of heroes all connected with players and meant something to them. It was evolutionary, but this innovation would bring with it some irksome industry trends and a complacency that would see Blizzard transform into a company that is now widely despised. How things change.
It was the biggest shooter in the world for a long time. Blizzard eagerly celebrated new player milestones on social media, while seasonal events became an all-encompassing occasion in the shooter space before the days of battle passes and live service updates. It was both ahead of its time and constrained by the formula it existed within, as additional game modes introduced as part of big updates and quarterly events never lived up to the base experience it was built upon. Junkenstein’s Revenge, Overwatch Archives, and Winter Wonderland were great fun, but fighting against bullet sponge AI wasn’t what this game was about, and hoping to expand on this universe only served to highlight its shortcomings.
We also need to talk about loot boxes, since Overwatch was responsible for increasing their popularity outside the mobile space. Ultimate Team was already a thing, but Blizzard showcased how easily cosmetic items could be monetised through random packages of goodies earned by either levelling up or buying them outright. I had friends who would set aside entire evenings during seasonal events to grind for boxes, hoping that Blizzard would be kind enough to let a legendary skin fall into their laps. None of them were playing for fun, instead waiting for that brief hit of serotonin that comes with a rare drop. Or they could spend money, and as the profits have long shown, so many of us went and did just that.